Archive for the ‘Birmingham’ Category
Home of Metal
September 12th, 2011
I thought it might be an idea to write something on here that wasn’t based on my simplistic 6th Form analysis of recent political events.So instead I’m going to write about Heavy Metal, which is much more sensible.
Yesterday I went to visit the Home of Metal exhibition at the Birmingham Museum and Art Gallery. I’m not a great museum visitor, they tend to bore me, but an exhibition devoted to Heavy Metal seemed like something I should do. Though it has been on since July and I only got round to it a week before it finished.
I think I should start this with stating that it is a great exhibition, it’s well made and does a good job of holding your hand through a very different bit of Birmingham’s history. I also recognise that Capsule, who put it together, have done a vast amount for music in Birmingham over the last decade, they’ve let me see Lightning Bolt and Shellac for a start.
With that caveat I have to say I left the Home of Metal feeling at a bit of a loss.
One thing I’ve learnt in the 20 years I’ve been living in Birmingham is that it has always been seeking an identity to distinguish itself from other cities. It’s constantly fighting to define itself as the second city of the UK, when I say fighting I’m not really sure that Manchester is aware that there is a fight going on nor is actually that bothered about how UK cities are prioritised.
Birmingham is jealous that other UK cities appear to have a more defined musical heritage. I don’t think other cities have a greater heritage of music but they do seem to be able to bundle things together. Liverpool had Mersey Beat and Manchester had the MADchester thing of the early 90s. Birmingham hasn’t had anything equivalent. Birmingham has had international fame with ELO, Duran Duran and of course Black Sabbath but there hasn’t been a unifying marketing ploy behind them.
These themes, or close groups of bands, are nothing more than a device by record companies to promote bands that otherwise wouldn’t get anywhere. As such I don’t think Birmingham has really missed out.
This lack of a Birmingham “sound” now seems to have been addressed by the attempt to claim the genre of Heavy Metal as being a product of Birmingham (and the Black Country to an extent).
Heavy Metal is a really difficult type of music to define. It is incredibly subjective to distinguish where hard rock stops and heavy metal begins. Essentially it is a semantic difference but one that still seems to be a pre-occupation for some people. It is also a semantic difference that seems to be at the heart of Birmingham’s claim on musical history.
Whilst growing up in Eastbourne (the home of The Mobiles and Top Loader) I listened to a lot of Heavy Metal, I’m not proud of it but it is a fact. In the 80s we were probably past the first blossom of Metal as a genre and just at the beginning of what I’ve been repeatedly been told was a new wave of British Metal (the NWOBHM).
I missed the early 70s on account of not being born so am on delicate grounds to refute Birmingham’s claims to have invented a musical genre. Whilst I was aware that Black Sabbath existed I couldn’t have told you they came from Birmingham and I would have struggled to explain to you why they were more important historically than Thin Lizzy, Rainbow or any number of other bands.
Before I started writing this I did spend a bit of time looking at Wikipedia, it was useful to try and get a sense of what happened before I was born. I have many albums from before I was born but little knowledge of when they came out and no real understanding of their impact or relative sales. I was struck that Black Sabbath do indeed seem to be considered as some sort of originator of this type of music.
This confuses me quite a lot. I am at a complete loss to figure out what is that different about Black Sabbath (the album) and Deep Purple’s In Rock, or King Crimson’s In The Court of the Crimson King? All dabbled with occult(ish) references, all relied on riff based songs and all came out at roughly the same time (King Crimson the year before and Deep Purple a few months later). Certainly sales don’t seem to distinguish Black Sabbath from the others. This is before you consider Born to be Wild which came out two years before Black Sabbath and mentions Heavy Metal in the lyrics of the title song.
Obviously one band doesn’t mean the birth of a movement (I know Heavy Metal cannot be defined as a movement). The Home of Metal appear to emphasise this by devoting a fair amount of space to Judas Priest who are from Walsall (a bit). I don’t know what to make of Judas Priest. As I grew up I had always assumed they were a joke band, apparently they’re not a joke band. They didn’t seem to innovate anymore than any other band around and when their first album came out in 1974 they were considerably behind bands such as Kiss and Aerosmith in terms of world wide profile.
Which leads on to the main point that is only hinted at in the Home of Metal. Of the time when Black Sabbath came to prominence the biggest band in the world, after The Beatles, were Led Zeppelin. Led Zeppelin II predated Black Sabbath and much of it seems to be a template for Metal/Hard Rock through the last four decades. The problem with Led Zeppelin is that their Birmingham/Black Country roots are shakey. Yes Robert Plant grew up in West Bromwich and John Bonham was born in Redditch but the other two were born and bred southerners. Can Sidcup claim to be the home of rock because John Paul Jones was born there and Keith Richards went to college there? No, that would be tenuous.
The second part of Home of Metal relates to Birmingham’s role in the 90s with Napalm Death. I’ve always had a soft spot for Napalm Death but it is really hard to say they set the world on fire. They defined a new type of metal (Grindcore) but were relatively unknown outside of Birmingham, except to a core group of fans (and are massive in Mexico). Were they more influential than Anthrax, Metallica or Slayer? It would be difficult to claim they were.
The reality of the early 90s was that Heavy Metal was largely defined in LA through cocaine fuelled hair bands like Guns N’ Roses and Motely Crue. It wasn’t pretty but was strangely popular. It also, almost managed to kill the concept of Metal for a generation.
My point, and it has taken me a while to get to it, is that Birmingham did play an important role in the creation of Heavy Metal, but so did Hertford (Deep Purple), Sheffield (Def Leppard), London (UFO, Iron Maiden, Uriah Heep, Motorhead, and even Barnsley (Saxon).
It is no more the Home of Metal than any of these cities.
Birmingham does have a really disparate history of bands and it would be better off celebrating the difference in these rather than attempting to a create an artificial construct after the fact.
I know this comes across as quite sniffy about something that was created through a lot of hard work and with only the best of intentions. On the plus side it did provoke me to think about this in considerably more depth than is probably sensible, so on that level it worked very well.
I thought it might be an idea to write something on here that wasn’t based on my simplistic 6th Form analysis of recent political events.So instead I’m going to write about Heavy Metal, which is much more sensible.
Yesterday I went to visit the Home of Metal exhibition at the Birmingham Museum and Art Gallery. I’m not a great museum visitor, they tend to bore me, but an exhibition devoted to Heavy Metal seemed like something I should do. Though it has been on since July and I only got round to it a week before it finished.
I think I should start this with stating that it is a great exhibition, it’s well made and does a good job of holding your hand through a very different bit of Birmingham’s history. I also recognise that Capsule, who put it together, have done a vast amount for music in Birmingham over the last decade, they’ve let me see Lightning Bolt and Shellac for a start.
With that caveat I have to say I left the Home of Metal feeling at a bit of a loss.
One thing I’ve learnt in the 20 years I’ve been living in Birmingham is that it has always been seeking an identity to distinguish itself from other cities. It’s constantly fighting to define itself as the second city of the UK, when I say fighting I’m not really sure that Manchester is aware that there is a fight going on nor is actually that bothered about how UK cities are prioritised.
Birmingham is jealous that other UK cities appear to have a more defined musical heritage. I don’t think other cities have a greater heritage of music but they do seem to be able to bundle things together. Liverpool had Mersey Beat and Manchester had the MADchester thing of the early 90s. Birmingham hasn’t had anything equivalent. Birmingham has had international fame with ELO, Duran Duran and of course Black Sabbath but there hasn’t been a unifying marketing ploy behind them.
These themes, or close groups of bands, are nothing more than a device by record companies to promote bands that otherwise wouldn’t get anywhere. As such I don’t think Birmingham has really missed out.
This lack of a Birmingham “sound” now seems to have been addressed by the attempt to claim the genre of Heavy Metal as being a product of Birmingham (and the Black Country to an extent).
Heavy Metal is a really difficult type of music to define. It is incredibly subjective to distinguish where hard rock stops and heavy metal begins. Essentially it is a semantic difference but one that still seems to be a pre-occupation for some people. It is also a semantic difference that seems to be at the heart of Birmingham’s claim on musical history.
Whilst growing up in Eastbourne (the home of The Mobiles and Top Loader) I listened to a lot of Heavy Metal, I’m not proud of it but it is a fact. In the 80s we were probably past the first blossom of Metal as a genre and just at the beginning of what I’ve been repeatedly been told was a new wave of British Metal (the NWOBHM).
I missed the early 70s on account of not being born so am on delicate grounds to refute Birmingham’s claims to have invented a musical genre. Whilst I was aware that Black Sabbath existed I couldn’t have told you they came from Birmingham and I would have struggled to explain to you why they were more important historically than Thin Lizzy, Rainbow or any number of other bands.
Before I started writing this I did spend a bit of time looking at Wikipedia, it was useful to try and get a sense of what happened before I was born. I have many albums from before I was born but little knowledge of when they came out and no real understanding of their impact or relative sales. I was struck that Black Sabbath do indeed seem to be considered as some sort of originator of this type of music.
This confuses me quite a lot. I am at a complete loss to figure out what is that different about Black Sabbath (the album) and Deep Purple’s In Rock, or King Crimson’s In The Court of the Crimson King? All dabbled with occult(ish) references, all relied on riff based songs and all came out at roughly the same time (King Crimson the year before and Deep Purple a few months later). Certainly sales don’t seem to distinguish Black Sabbath from the others. This is before you consider Born to be Wild which came out two years before Black Sabbath and mentions Heavy Metal in the lyrics of the title song.
Obviously one band doesn’t mean the birth of a movement (I know Heavy Metal cannot be defined as a movement). The Home of Metal appear to emphasise this by devoting a fair amount of space to Judas Priest who are from Walsall (a bit). I don’t know what to make of Judas Priest. As I grew up I had always assumed they were a joke band, apparently they’re not a joke band. They didn’t seem to innovate anymore than any other band around and when their first album came out in 1974 they were considerably behind bands such as Kiss and Aerosmith in terms of world wide profile.
Which leads on to the main point that is only hinted at in the Home of Metal. Of the time when Black Sabbath came to prominence the biggest band in the world, after The Beatles, were Led Zeppelin. Led Zeppelin II predated Black Sabbath and much of it seems to be a template for Metal/Hard Rock through the last four decades. The problem with Led Zeppelin is that their Birmingham/Black Country roots are shakey. Yes Robert Plant grew up in West Bromwich and John Bonham was born in Redditch but the other two were born and bred southerners. Can Sidcup claim to be the home of rock because John Paul Jones was born there and Keith Richards went to college there? No, that would be tenuous.
The second part of Home of Metal relates to Birmingham’s role in the 90s with Napalm Death. I’ve always had a soft spot for Napalm Death but it is really hard to say they set the world on fire. They defined a new type of metal (Grindcore) but were relatively unknown outside of Birmingham, except to a core group of fans (and are massive in Mexico). Were they more influential than Anthrax, Metallica or Slayer? It would be difficult to claim they were.
The reality of the early 90s was that Heavy Metal was largely defined in LA through cocaine fuelled hair bands like Guns N’ Roses and Motely Crue. It wasn’t pretty but was strangely popular. It also, almost managed to kill the concept of Metal for a generation.
My point, and it has taken me a while to get to it, is that Birmingham did play an important role in the creation of Heavy Metal, but so did Hertford (Deep Purple), Sheffield (Def Leppard), London (UFO, Iron Maiden, Uriah Heep, Motorhead, and even Barnsley (Saxon).
It is no more the Home of Metal than any of these cities.
Birmingham does have a really disparate history of bands and it would be better off celebrating the difference in these rather than attempting to a create an artificial construct after the fact.
I know this comes across as quite sniffy about something that was created through a lot of hard work and with only the best of intentions. On the plus side it did provoke me to think about this in considerably more depth than is probably sensible, so on that level it worked very well.
Posted in Birmingham, Music | Comments (3)
Serviced Birmingham June 4th, 2011
Birmingham has many things to be proud of but its ability to manage the most basic publicity is not one of them. It absolutely confounds me that when creating the plan to outsource IT jobs to India, someone didn’t think about the publicity implications. From a PR point of view it ticks just about every hysterical box that you can imagine.
Since this managed to get itself plastered all over the papers, I’ve been trying to figure out how a Council could be so publicly inept. Birmingham’s problems with managing the current financial climate are well documented but is the publicity garnered from the savings on 100 jobs really worth it? I do believe that savings should be made if we guarantee that money gets redirected towards the most vulnerable people. If sending some services off to India means we can spend more on people with disabilities then I think I’d grudgingly say, that’s something we should consider.
Unfortunately the economic reality in Birmingham is not that simplistic.
In 2006 Birmingham decided to take all of the IT infrastructure out of Council control and create a new organisation called Service Birmingham in partnership with Capita. The theory being that partnership with the private sector would bring “efficiency” to the public sector. A contract was created and Service Birmingham is paid annually to provide IT services. The profits that are generated from the operation of this contract are split between Capita and Birmingham City Council (I don’t know what the split is).
As with any private sector company the principle driver is to generate profits for shareholders. The only way to generate profits is to drive down costs whilst maintaining the same income; outsourcing drives down costs.
So this raises an interesting question, if Service Birmingham are lowering their costs by outsourcing jobs to India then are they equally reducing their claim on the contract with Birmingham City Council? I have no idea what the answer to that question is but I’d be very surprised that if, as a result of this process, there is any change in the terms and conditions of the contract we have with Service Birmingham.
This also raises the issue of the relationship of this quasi private entity and their political masters. The majority of the press coverage of this has labelled it as a Tory Council sending jobs to India. It would be quite a naive political organisation that wouldn’t consider the minuscule benefits of outsourcing 100 jobs to India against the nationwide bad publicity. If you consider that the budget of Birmingham City Council is around £1 billion is it worth it? No, especially if you consider the paper thin majority the ruling coalition is sitting on.
The only conclusion I can draw from this is that it was a decision taken completely out of the political process and with little consideration of the people apparently in charge of the City. The only people likely to benefit from this are Capita shareholders and, apart from the people who have lost their jobs, the people most likely to suffer are Tory Councillors.
This really is a cautionary tale, beware the beast you create.
Posted in Birmingham, Politics | Comments (0)
To Clap or not to Clap
February 6th, 2011
I started writing this for Eye on Moseley but after planning it in my mind (yes, there is some planning, it isn’t just a stream of consciousness) I realised it isn’t really relevant to Moseley as such.
Posted in Birmingham, Politics | Comments (3)
Living in a city March 10th, 2009
I went to Barcelona the other day. It’s very nice. I know it is ridiculous to compare one of the premier cities of Europe with Birmingham but I have a feeling I’m going to do it anyway.
The most immediate difference I noticed is the fantastic use of public space. This is public space in the true sense of the word. Areas that have been put aside for people to congregate in and do things together. This is most obviously emphasised by the large amount of Children’s play areas. They are everywhere and seem to be really well used.
These play areas seem to be complemented by similar areas for table tennis and that crazy European version of bowls obviously aimed at adults. The odd thing about these areas is that people were using them. People of all ages were coming together outside and doing things.
This community activity is something that I couldn’t really conceive of happening in Birmingham. When we create a public space we seem to have some strange fear of putting stuff in it that people might find useful.
The vast majority of development is entirely focussed on retail rather than improving the quality of life. In Birmingham, we have had a debate about a park in the City Centre but that has rambled on for many years now with little evidence of anything tangible appearing.
My theory on why there is a different attitude to space comes down to the British obsession with houses. The status attached to owning your house and having a garden is different to other countries. In the UK there has previously been a perception of living in a flat as being associated with poverty. The stigma of tower blocks has seemingly removed the voice of flat dwellers from urban planning.
In countries where living in an apartment (posh flat) is the norm the expectation is that public space will fulfil the absence of a garden. This attitude is possibly changing with the development of city centre living but such change seems slow. City Centre developments in the UK are solely focussed on the ideal of young professionals rather than fostering community.
Another striking difference about Barcelona is the massive amount of graffiti. It is absolutely everywhere. The odd thing about it is that it doesn’t seem to have brought about the breakdown of society or even really made the place look untidy. Though I’m sure that if you ask people who live there about it they probably get quite pissed off about it.
I think it underlines that small minded politics of urban decay that we are fed in this country. Rather than politicians focussing on the more macro drivers of change that affect all of a community they obsess on the micro affects. If a phone box has a graffiti tag on it makes very little difference to people if they have little in the way of recreation facilities or all their local shops are shutting down.
I’d say my criticisms of Birmingham are not specific to this city. I’m sure they are applicable to all urban environments in the UK. That turned into more of rant than the description of what I did on my holiday that I’d planned.
Posted in Birmingham, Politics | Comments (1)
Second Go at Second Life November 30th, 2008
Just glancing through the Register I noticed they have a story about Reuters giving up on their dedicated Second Life reporter. I remember that there was quite a fanfare when Reuters began their coverage.
I think it is interesting to note that it took a month for anyone to notice that coverage had stopped.
It made me think, what’s going on in Birmingham’s Second Life island at the moment?
I popped in to have a look and I’d have to say that absolutely nothing was going on.
I’d be intersted to see if anyone has any usage stats given that it’s been up and running for a month now.
Posted in Birmingham, Media | Comments (0)
Hold the Front Page November 21st, 2008
I’ve suddenly become massively concerned with the future of printed journalism. It is clear that as a business model print journalism is facing competitive pressure from sources that you just wouldn’t have comprehended 15 years ago. Unfortunately as a reaction traditional media appears to be throwing away that extra value that I think gives it value.
In my day to day life I have dealings with three traditional forms of printed media (4 if you count TV Quick), The Guardian, The Birmingham Post and The Erinsborough News. Essentially I believe The Guardian is alright. They just understand the modern world and seem to have done a pretty good job of shaping it around them rather than the other way. The other two are obviously in crisis. Not a conventional business crisis with plummeting share prices and board room massacres (though there has been a bit of that). No, more of an identity crisis that has made them buy a Porsche and pinch young girls arses in a pub.
The Internet is always cited as the great motivator for change within media. This is true. The Internet has fundamentally changed the way that we look at news. We have become used to news always being current and always being free. I don’t think that this is really a reason to try and recreate the Internet within the printed media.
The great value I see with printed media is two fold. There is a front page and there is a professional narrative. The front page screams NEWS at me when I see it and makes me want to read it. The narrative comes from years of experience creating a linear experience of news. When I look at a paper I know someone has used their professionalism to decide that the news on page 2 is more important to me as a reader than the news on page 15. The Internet cannot fully achieve either of these. No site will devote their front page to one massive story. Really they don’t need to do so in order to drag people in.
Equally reading a web site is not a linear experience. There are many points of entry and the reader themselves chooses the route through to other stories. Clearly clever prominence of links facilitates this to an extent but not in the same way that the editor of a printed paper holds your hand on a daily journey of news.
Both the Birmingham Post and the Erinsborough News have recently lost their understanding of printed journalism. The Erinsborough News removed the last vestige of professionalism by allowing local hotel owner and murderer Paul Robinson to not only buy the paper but appoint himself as editor. Interestingly his stint as editor began by demonstrating some characteristics that were useful. He understood the front page. He obviously understood what his readers wanted (some of them at least). In the few weeks that he has controlled the paper I think it is fair to say that everyone he knows has obviously bought one and read it.
The decline in the Erinsborough News is obviously linked with Paul’s parochial nature. The paper’s obsession with the sex life of the school girl that lives over the road from him is going to have limited wider appeal. Unfortunately early plaudits appear to have conned him into believing that even more microscopic localism is needed. Thus hiring Susan Kennedy Kinski Kennedy as a journalist symbolises the foolish belief that a qualification in journalism now counts for absolutely nothing these days. The front page story about the wheelchair basketball team being banned from the community centre is a new low. Alright they were probably acting against disability legislation but really, do we care? No we don’t and nobody else does either.
The Birmingham Post have followed a similar path. Actually they haven’t, they’ve taken much more crazy steps than put a murderer in charge. In a move that could well wrong foot the entire industry The Birmingham Post have decided to not only reduce the amount of news but also hide it. The Birmingham Post was always a traditional broadsheet with pretensions towards something it wasn’t but still very much a focus on the news and local events. It was out of it’s time but I liked it for it.
I can’t argue with the fact that very few people ever bought it and it probably needed change. The change they settled on was to remove news from the front page. Think about that for a second. It is a newspaper but does not have news on the front page. Obviously there was a meeting to discuss this and I’m pretty sure there is a certain logic that underpins it. The main readers of the Birmingham Post have always historically been dentists, local businesses and council workers. Of these three groups local businesses are probably the only ones that are sufficient in number to be deemed to have economic power (they’re also the only ones that advertise). Businesses send out press releases every day about new things that have happened to them. This is easy journalism. Copy and paste and you have news. All of this news was previously hidden away in the middle section that everyone threw away.
Unfortunately the easy news was being thrown away and the advertisers probably knew this. So in a stroke of genius that Post decided to focus the front page on business news. Essentially press releases.
Now visitors to Birmingham who arrive at New Street Station are greeted with a front page yelling LOCAL SOLICITOR BUYS NEW HAT. It doesn’t tell the world we are a city of business. It tells the world that nothing much happened yesterday (and a certain someone now has a warm head). It is obviously not going to encourage the impulse purchase and those businesses that are featured probably would have bought it anyway.
So all in all I’m scared for the future.
At the end of the day it is probably important to bear in mind that I don’t ever buy either the Birmingham Post or the Erinsborough News. I get one given to me free and the other one doesn’t exist.
Posted in Birmingham, Media | Comments (0)
Money for nothing October 23rd, 2008
I’ve had a Second Life account for bloody ages now. It must be two years at least. In total I’ve probably spent around 3 hours wallowing in the frustration that it has a habit of generating.
Second Life has always had a bit of a problem in that it wants to be Social Networking but it also wants to be a game. In the end it has managed to achieve neither.
The essential problems with it are that it looks rubbish and navigation is a nightmare. I don’t know if it is a result of how long it has been about or if it is an attempt to give anyone access to it. Overall I reckon the graphics are on a par with Duke Nukem which I suppose isn’t in itself a bad thing. Duke Nukem was ground breaking when it came out. Unfortunately it came out in 1996. Second Life was launched in 2003 so it was hopelessly dated when it was released. Charitably Second Life is trying to achieve something different to Duke Nukem. It is trying to create an immersive world where people can interact much like a Massive Mutiplayer Online Role Playing Game (MMORPG). Unfortunately Everquest started doing this four years before the launch of Second Life and it looked and worked much much better.
At the end of the day we can all ignore shockingly poor graphics if the experience itself is immersive. Second Life is by no means immersive. I have never come across anything that makes me more angry than trying to bumble around Second Life. Everything is an obstacle. You bounce off the tiniest of objects. You can’t get over the smallest of bumps. When creating an environment surely control is the most basic thing to get right? I have played some very poor games in my time but Second Life has by far the worst control system.
It may not be a fair comparison but I’m going to make it anyway. Why have Linden Lab not looked at Warcraft? When Warcraft first arrived, three years ago, one of the claims they made was that to play the game you would not need to read a manual. This turned out to be very true. Walking about in Azeroth is just simple. Watch any of the numerous Youtube videos to see just how flexible the control system is. It takes minutes of playing to just forget how you are controlling your avatar.
If you compare the minimum spec for Warcraft and that of Second Life you can see that they are roughly equivalent. In fact you’d probably get away with lower spec graphics card with WOW. Warcraft also obviously deals with substantially greater traffic than Second Life but does it seamlessly.
I accept that this isn’t a fair comparison as Blizzard invested over $100 million in getting WOW right but it should be noted that the effort has paid off by creating an income stream that dwarfs many of the worlds real life economies.
Obviously I’m not banging on about Second Life because I suddenly think that it needs a good kicking after being about for four years. No, I’ve got a reason.
Today saw the launch of Birmingham’s very own Second Life Island.
Why? I have no idea.
Digital Birmingham do ask the question “Is Second Life the ultimate digital experience?”. I could have answered that for them fairly easily.
No it isn’t.
It certainly isn’t Half Life 2, It’s not even close to Metal Gear Solid: Guns of the Patriots. Admittedly the concept of Birmingham whoring itself in Metal Gear Solid would have been great.
This is one of those plans that clearly seemed good at the time but the practical application of it holds little value to the people of Birmingham who’ve ended up paying for it.
I’ve just logged onto virtual Birmingham. At the moment there are 68,000 people in the entire world logged into Second Life. Of those 68,000 there are 5 visiting the Birmingham island. I’m one of those 5.
Having had a bit of a walk round the island I’ve noticed that essentially it is a bit of grass with a canal cut through it. Do you get it? A canal? we have lots of canals in Birmingham. No landmarks have been recreated and actually nothing that you would really think sums up Birmingham.
Overall 2/10. Two for…… having a go?
[edit]Since I wrote this last night I’ve come across a few things written by other people that I think I’d like to address.
Jon Bounds wrote this before I started writing, if I’d bothered to read it I’d probably have realised he made most of my points only slightly better, and with more fact.
Dave Harte has posted a response to Jon’s post which makes some points but I don’t really agree with them. I do accept the point that a 3D representation of Birmingham itself wouldn’t be that useful but a tiny Rotunda would be nice. Something that instantly says BIRMINGHAM when you arrive.
There is a practical value to exploring the representation of Birmingham in virtual worlds. I think that Second Life is a poor vehicle to use to this end. It is flawed software with a frighteningly small user base.
I would have liked to see Digital Birmingham explore the opportunity of Playstation Home.
Alright I’m talking about a virtual world that doesn’t exist yet but that means it is an untapped opportunity. Sony are frantic to promote the PS3 as more than a games console. To do that they need to work with partners to add that extra element. You can probably see where I’m going with this. If Birmingham had approached Sony at an early stage they could well have got all of this done for free and demonstrated an innovative approach.
This raises the issue of access to a Virtual Birmingham based in Home. It is true that market penetration of the PS3 is small. It is also true that with worldwide sales of around 14 million, all of which will have Home installed for free in the next few months, you will suddenly see the largest Virtual World developing. There have been 1.4 million PS3s sold in UK to date. On an even spread across the country that would give an estimated sale of 2000 units in Birmingham. That is surely far greater than the number of active Second Life users in Birmingham. There were 5 last night.
Well, that’s what I think.[/edit]
Posted in Birmingham, Games | Comments (5)